From “The City” portfolio, The New Yorker, February 24, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
The Airport, 1973
Street War (Cadavre Exquis), c. 1972-74
Portrait of Harold Rosenberg, 1972. Watercolor, crayon, and graphite on paper, 14 1/16 x 10 ¼ in. Yale University Art Gallery; The Lawrence and Regina Dubin Family Collection, Gift of Dr. Lawrence Dubin, B.S. 1955, M.D. 1958.
Original drawing for The New Yorker cover, October 21, 1972
Guilty, 1972
Cover of The New Yorker, February 5, 1972
Viale Romagna (Via Pascoli), 1971
Union Square, 1971. Ink, colored pencil, and rubber stamp on paper, 17 ½ x 17 ½ in. Private collection.
Original drawing for “The City” portfolio, The New Yorker, February 24, 1973
Self-Portrait Table, 1971. Mixed media on wood, 24 ½ × 36 7/16 × 2 in. Whitney Museum of American Art, New York; purchase, with funds from Charles B. Benenson and the Burroughs Wellcome Purchase Fund in honor of the Museum’s 50th Anniversary.
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. The Saul Steinberg Foundation.
Inventory, 1971
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Cover of The New Yorker, September 25, 1971
Original drawing for the cover of The New Yorker, July 31, 1971
Untitled, 1971
Cover of The New Yorker, January 16, 1971
Untitled (The General), 1970, from the Peace Portfolio I. Silkscreen, 20 1/8 x 26 in. The Saul Steinberg Foundation
The Tree, 1970
Music and China, plate 2 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 21 ¼ x 29 ½ in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for “The City” portfolio, The New Yorker, February 24, 1973