Original drawing for page in Canal Street, 1990. Untitled, 1989-90
Three Notebooks, 1989. Carved wood, gouache, pencil, colored pencil, and photographs on wood panel, 21 x 16 in. The Saul Steinberg Foundation.
Street Noises, 1989
Original drawing for The New Yorker cover, September 7, 1992. Untitled [Las Vegas], 1989
Chinatown, 1989
Swiss Still Life, 1988
Looking Down, 1988
Canal Street, 1988
Hotel Metropole, 1987
Easel and Palette, 1987
Downtown, 1987
Cover of The New Yorker, May 11th, 1987
Library, 1986-87
Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986
Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986
The Riverhead Duck, 1986
Page from sketchbook, c. 1986. Conté crayon on paper, 14 x 11 in. National Gallery of Art, Washington, DC; Gift of the Saul Steinberg Foundation.
Erba Still Life, 1986
Broadway, 1986
Wyoming, 1985 (misdated “1958” by Steinberg)
Untitled, 1985
Original drawing for the portfolio “Couples,” The New Yorker, February 20-27, 1995. Soho Kiss, 1985. Pencil and crayon on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Las Vegas, 1985. Colored pencil, ink, and pencil on paper, 23 1/8 x 29 in. Private collection.
Flowers and Ink Bottles, 1985
Self-Portrait, 1984. Marker and crayon on paper, 10 ½ x 14 in. The Saul Steinberg Foundation.
Self-Portrait, 1984. Pencil, crayon, and colored pencil on paper, 11 x 14 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.
Jukebox Diner, 1984
Original drawing for the portfolio “Dreams,” The New Yorker, February 1, 1988. Botones, 1984. Ink, marker, crayon, and colored pencil on paper, 13 x 19 ¾ in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Pencil, colored pencil, and ink on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Marker, pencil, and crayon on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.
Ten Women, 1983/1996, etching on paper, color proof, 20 7/8 x 29 5/8 in. Published by Gemini G.E.L. Begun 1983, editioned 1996.
Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Ex-voto, after 1983. Colored pencil and pencil on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Caption: “Giacometti’s face was rought creased by deep lines horizontal vertical and diagonal. The color was often unhealthy. The hairdo was exploding steel woo. In repose he looked angry. But when he liked something a smile of infinite kindness illuminated and transformed his face. (He had also an unexpected resemblance to Colette.)”
Chrysler Building at 42nd Street, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
The Pyramid Table, 1974-82
Van Gogh, c. 1982. Colored pencil, crayon, marker, and collage on paper, 13 7/8 x 11 in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Architecture: Housing,” The New Yorker, April 4, 1983. Untitled, 1982
Original drawing for the portfolio “Postcards,” The New Yorker, January 16, 1978
Original drawing for the portfolio “Post Office,” The New Yorker, March 1, 1982. Canal St. Station, 1981
Bauhaus Street, 1982
12 Variations, portfolio in The New Yorker, December 27, 1982, right half
12 Variations, portfolio in The New Yorker, December 27, 1982, left half
