Drawing in The New Yorker, February 22-March 1, 1999

Original drawing for The New Yorker cover, January 6, 1997

Original drawing for the portfolio “Couples,” The New Yorker, February 20-27, 1995. Untitled, c. 1990-94. Pencil and crayon on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.

Zip Code Map, 1994

Delacroix (after Nadar), 1994. Pencil, crayon, and colored pencil on paper, 14 ¾ x 13 1/8 in. The Saul Steinberg Foundation.

The Flat Earth, 1991

Untitled, c. 1990

Untitled, c. 1990

Moonlight in Brentwood, 1990

Page in Canal Street, 1990

Frontispiece of Canal Street, 1990

Adult Comics (verso), c. 1990. Pencil on paper, 14 ¾ x 32 in. The Saul Steinberg Foundation.

Adult Comics (recto), c. 1990. Pencil on paper, 14 ¾ x 32 in. The Saul Steinberg Foundation.

Original drawing for page in Canal Street, 1990. Untitled, 1989-90

Three Notebooks, 1989. Carved wood, gouache, pencil, colored pencil, and photographs on wood panel, 21 x 16 in. The Saul Steinberg Foundation.

Street Noises, 1989

Original drawing for The New Yorker cover, September 7, 1992. Untitled [Las Vegas], 1989

Chinatown, 1989

Swiss Still Life, 1988

Canal Street, 1988

Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986

The Riverhead Duck, 1986

Page from sketchbook, c. 1986. Conté crayon on paper, 14 x 11 in. National Gallery of Art, Washington, DC; Gift of the Saul Steinberg Foundation.

Broadway, 1986

Wyoming, 1985 (misdated “1958” by Steinberg)

Untitled, 1985

Las Vegas, 1985. Colored pencil, ink, and pencil on paper, 23 1/8 x 29 in. Private collection.

Self-Portrait, 1984. Marker and crayon on paper, 10 ½ x 14 in. The Saul Steinberg Foundation.

Self-Portrait, 1984. Pencil, crayon, and colored pencil on paper, 11 x 14 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.

Jukebox Diner, 1984

Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983

Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983

Ex-voto, after 1983. Colored pencil and pencil on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Caption: “Giacometti’s face was rought creased by deep lines horizontal vertical and diagonal. The color was often unhealthy. The hairdo was exploding steel woo. In repose he looked angry. But when he liked something a smile of infinite kindness illuminated and transformed his face. (He had also an unexpected resemblance to Colette.)”

Van Gogh, c. 1982. Colored pencil, crayon, marker, and collage on paper, 13 7/8 x 11 in. The Saul Steinberg Foundation.

Bauhaus Street, 1982

Western Projects, 1981

U.S. Post Office, Cincinnati, Ohio, 1981

Statistics U.S.A., 1981

Nashville, Tennessee [Post Office], 1981

Architect’s Wife, 1981

Untitled, late 1980s

Flight Map, 1980s

Aldo Buzzi and Sigrid Spaeth, 1980.

Untitled (Seated Woman), April, 1980. Pencil and colored pencil on paper, 14 x 17 in. The Saul Steinberg Foundation. As reproduced in Dal Vero.

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1979

Bozeman, 1979

Daniela Roman in Amagansett, August 19, 1979. Pencil and crayon on paper, 14 ½ x 16 ½ in. Private collection.

Drawing in The New Yorker, “Cousins” portfolio, May 28, 1979

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1978.