Original drawing for the portfolio “Uncles,” The New Yorker, December 25, 1978
Untitled, 1978
State Line Motel, 1978
Joggers, 1978
Three Brothers, 1977
Original drawing for the portfolio “Postcards,” The New Yorker, January 16, 1978
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Paradise Cabins, 1976
Fight Artist, 1976
Original drawing for View of the World from 9th Avenue, The New Yorker cover, March 29, 1976
Original drawing for the “Fast Food” portfolio, The New Yorker, February 23, 1976
Bank Street (Three Banks), 1975
Untitled, 1975
Untitled, 1974
Sixteen Postcards, 1974
Four Banks, 1974
Five Sunsets, 1974
A Poetic Ashtray, 1974. Pencil and colored pencil on paper, 18 x 11 7/8 in. Calder Foundation, New York. The drawing shows an ashtray that Calder made for Steinberg in 1951-52. Steinberg sent the drawing to Calder and his wife, Louisa, in October 1974.
“The Power Broker,” part IV, as published in The New Yorker, August 19, 1974
Untitled, 1973
The West Side, 1973
Milanese II, 1973
The Airport, 1973
Street War (Cadavre Exquis), c. 1972-74
Portrait of Harold Rosenberg, 1972. Watercolor, crayon, and graphite on paper, 14 1/16 x 10 ¼ in. Yale University Art Gallery; The Lawrence and Regina Dubin Family Collection, Gift of Dr. Lawrence Dubin, B.S. 1955, M.D. 1958.
Original drawing for The New Yorker cover, October 21, 1972
Guilty, 1972
Viale Romagna (Via Pascoli), 1971
Union Square, 1971. Ink, colored pencil, and rubber stamp on paper, 17 ½ x 17 ½ in. Private collection.
Self-Portrait Table, 1971. Mixed media on wood, 24 ½ × 36 7/16 × 2 in. Whitney Museum of American Art, New York; purchase, with funds from Charles B. Benenson and the Burroughs Wellcome Purchase Fund in honor of the Museum’s 50th Anniversary.
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for the cover of The New Yorker, July 31, 1971
Untitled, 1971
The Tree, 1970
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Civil War (High School), 1970
Bucharest in 1924, 1970
Bleecker Street, 1970
Artist, 1970
Exit Street, 1970
Original drawing for Who Are They, in a Word portfolio, The New Yorker, November 8, 1969
Don’t, from a Word portfolio, The New Yorker, November 8, 1969
