Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.
Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.
Untitled, c. 1950-52
Untitled (Flyscreen), c. 1950
Untitled, 1950
Fingerprint Landscape, 1950
Fake Letters, c. 1950. Ink on 3 sheets of hotel letterhead; ink and wash on pseudo-photograph, 15 x 16 ½ in. The Saul Steinberg Foundation.
The Declaration of Independence, 1949-54
Page from the catalogue of An Exhibition for Modern Living, with color added to Steinberg’s drawing
Page of lampoons of chair designs from The Art of Living, 1949
Untitled, 1948
Self-Portrait with Hedda Sterne in Cadillac, 1947. Ink on paper, 11 ½ x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Ruth Nivola, 1947. Ink on paper, 11 x 14 in. The Saul Steinberg Foundation.
Drawing for mural at Bonwit Teller’s department store, 1947. The Obelisk Rider, 1947
Document for Henri Cartier-Bresson, 1947. Ink and collage on paper, 14 3/8 x 11 3/16 in. Fondation Henri Cartier-Bresson, Paris.
Sartre, 1946. Pencil on paper, 12 x 9 in. The Saul Steinberg Foundation.
Portrait of Alexander Calder, 1946. Ink on paper, 14 ½ x 11 ½ in. Calder Foundation, New York.
Aldo in Paris, 1946. Ballpoint pen on paper, 12 ½ x 9 ½ in. Collection of Marina Marchesi and Franco Salghetti-Drioli.
Advertisement for D’Orsay Perfume, 1946
Advertisement for D’Orsay perfume, published in The New Yorker, May 4, 1946.
Head, 1945
Portrait of Bernard Rudofsky, c. 1944. Photostat, 11 ¾ x 8 ¼ in. The Bernard Rudofsky Estate, Vienna.
Propaganda drawing (Hitler as a two-faced wolf), 1944
Strada Palas, 1942. Ink, watercolor, and pencil on paper, 14 7/8 x 21 ¾ in. The Saul Steinberg Foundation.
