Original drawing for the portfolio “Onward,” The New Yorker, March 14, 1994. Untitled, 1994. Pencil and colored pencil on paper, 14 ½ x 23 in. Private collection.
Looking Down, 1988
Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986
Original drawing for the portfolio “Couples,” The New Yorker, February 20-27, 1995. Soho Kiss, 1985. Pencil and crayon on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Original drawing for the portfolio “Dreams,” The New Yorker, February 1, 1988. Botones, 1984. Ink, marker, crayon, and colored pencil on paper, 13 x 19 ¾ in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Pencil, colored pencil, and ink on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.
Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Marker, pencil, and crayon on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.
Chrysler Building at 42nd Street, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Architecture: Housing,” The New Yorker, April 4, 1983. Untitled, 1982
Original drawing for the portfolio “Postcards,” The New Yorker, January 16, 1978
Original drawing for the portfolio “Post Office,” The New Yorker, March 1, 1982. Canal St. Station, 1981
12 Variations, portfolio in The New Yorker, December 27, 1982, right half
12 Variations, portfolio in The New Yorker, December 27, 1982, left half
Study for the portfolio “Still-Lifes,” The New Yorker, June 8, 1981
Original drawing for the portfolio “Country Traffic,” The New Yorker, December 1, 1980
“Old Couples,” The New Yorker, July 28, 1980
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Papantla (Verzcruz), Mexico. Colored pencil and pencil on paper, 14 ¼ x 20 ½ in. The Saul Steinberg Foundation.
“Country Noises,” The New Yorker, February 12, 1979
Original drawing for the portfolio “Country Traffic,” The New Yorker, December 1, 1980
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Athens Greece, 1978
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Milan Italy, 1976
Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974
Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974
Original drawing for “The Power Broker,” part I, The New Yorker, July 22, 1974
Untitled, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
Original drawing for “The City” portfolio, The New Yorker, February 24, 1973
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for “The City” portfolio, The New Yorker, February 24, 1973
Yes, But, from a Word portfolio, The New Yorker, November 8, 1969
Original drawing for “The Mayor, Part I,” The New Yorker, May 3, 1969
Original drawing for The New Yorker, December 28, 1968
Drawing in The New Yorker, December 7, 1968
Drawing in The New Yorker, December 7, 1968
Untitled, 1966
Original drawing for The New Yorker, August 21, 1965
Untitled, 1962-64. Ink, pencil, and watercolor on paper, 22 x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation. Originally published in The New Yorker, August 11, 1962.
