Original drawing for page in Canal Street, 1990. Untitled, 1989-90
Chinatown, 1989
Looking Down, 1988
Canal Street, 1988
Downtown, 1987
Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986
Original drawing for the portfolio “Bank,” The New Yorker, May 19, 1986
Broadway, 1986
Wyoming, 1985 (misdated “1958” by Steinberg)
Untitled, 1985
Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Chrysler Building at 42nd Street, 1983
Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983
Original drawing for the portfolio “Architecture: Housing,” The New Yorker, April 4, 1983. Untitled, 1982
Original drawing for the portfolio “Postcards,” The New Yorker, January 16, 1978
Original drawing for the portfolio “Post Office,” The New Yorker, March 1, 1982. Canal St. Station, 1981
Bauhaus Street, 1982
Western Projects, 1981
U.S. Post Office, Cincinnati, Ohio, 1981
Nashville, Tennessee [Post Office], 1981
Architect’s Wife, 1981
Original drawing for the portfolio “Country Traffic,” The New Yorker, December 1, 1980
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Papantla (Verzcruz), Mexico. Colored pencil and pencil on paper, 14 ¼ x 20 ½ in. The Saul Steinberg Foundation.
Untitled, 1978
Joggers, 1978
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Athens Greece, 1978
Cover of The New Yorker, March 13, 1978
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Milan Italy, 1976
Original drawing for View of the World from 9th Avenue, The New Yorker cover, March 29, 1976
Original drawing for the “Fast Food” portfolio, The New Yorker, February 23, 1976
Untitled, 1974
Four Banks, 1974
Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974
Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974
Original drawing for “The Power Broker,” part I, The New Yorker, July 22, 1974
Untitled, 1973
Milanese II, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
Street War (Cadavre Exquis), c. 1972-74
Viale Romagna (Via Pascoli), 1971
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for the portfolio “Italy–1938,” The New Yorker, October 7, 1974
Original drawing for “The City” portfolio, The New Yorker, February 24, 1973
