Street Noises, 1989

Looking Down, 1988

Hotel Metropole, 1987

Original drawing for the portfolio “Couples,” The New Yorker, February 20-27, 1995. Soho Kiss, 1985. Pencil and crayon on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.

Flowers and Ink Bottles, 1985

Jukebox Diner, 1984

Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Pencil, colored pencil, and ink on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.

Original drawing for the portfolio “Domestic Animals,” The New Yorker, March 21, 1983. Untitled, 1983. Marker, pencil, and crayon on paper, 14 ½ x 23 in. The Saul Steinberg Foundation.

Untitled (Seated Woman), April, 1980. Pencil and colored pencil on paper, 14 x 17 in. The Saul Steinberg Foundation. As reproduced in Dal Vero.

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1979

Daniela Roman in Amagansett, August 19, 1979. Pencil and crayon on paper, 14 ½ x 16 ½ in. Private collection.

Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1978.

Fight Artist, 1976

Cover of The New Yorker, November 29, 1976

Drawing on Smithsonian Institution stationery, 1967. (2)

Untitled, 1967

Untitled, 1967

Untitled, 1966

Untitled, 1966

The Spiral, 1966

Inventory, 1966

Untitled, 1962-64. Ink, pencil, and watercolor on paper, 22 x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation. Originally published in The New Yorker, August 11, 1962.

Untitled [Paris-Sardinia], 1963. Ink, ballpoint, crayon, watercolor, colored pencil, and pencil on paper, 23 1/8 x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.

Drawing in The New Yorker, March 2, 1963

Drawing in The New Yorker, October 7, 1961

Untitled, 1961

Drawing in The New Yorker, August 29, 1959

Drawing in The New Yorker, March 8, 1958

Advertisement for Emerson television, 1955

Page from a 1954 appointment book I

Kitchen Street, 1954

Techniques at a Party I, 1953

Drawing in The New Yorker, October 21, 1950

Woman on Tub, 1949

Page from Flair, March 1950

Untitled, 1950

“Change of Mind 1900-1950,” 1930s. Vogue, January 1950

“Change of Mind 1900-1950,” 1920s. Vogue, January 1950

“Change of Mind 1900-1950,” 1900s. Vogue, January 1950

Drawing for Steinberg’s mural of Detroit, 1949. The Detroit Institute of Arts

Page from the catalogue of An Exhibition for Modern Living, with color added to Steinberg’s drawing

Drawing in The New Yorker, August 9, 1947

Drawing in The New Yorker, May 18, 1946.

“Soap Opera.” Fortune, March 1946

From the “Italy” portfolio, 1944

Strada Palas, 1942. Ink, watercolor, and pencil on paper, 14 7/8 x 21 ¾ in. The Saul Steinberg Foundation.

Drawing in The New Yorker, October 17, 1942

But it is half man and half horse, 1941

Disegno con battuta (Gag drawing), 1941

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