Delacroix (after Nadar), 1994. Pencil, crayon, and colored pencil on paper, 14 ¾ x 13 1/8 in. The Saul Steinberg Foundation.

Adult Comics (verso), c. 1990. Pencil on paper, 14 ¾ x 32 in. The Saul Steinberg Foundation.

Adult Comics (recto), c. 1990. Pencil on paper, 14 ¾ x 32 in. The Saul Steinberg Foundation.

Three Notebooks, 1989. Carved wood, gouache, pencil, colored pencil, and photographs on wood panel, 21 x 16 in. The Saul Steinberg Foundation.

Page from sketchbook, c. 1986. Conté crayon on paper, 14 x 11 in. National Gallery of Art, Washington, DC; Gift of the Saul Steinberg Foundation.

Self-Portrait, 1984. Marker and crayon on paper, 10 ½ x 14 in. The Saul Steinberg Foundation.

Self-Portrait, 1984. Pencil, crayon, and colored pencil on paper, 11 x 14 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.

Ex-voto, after 1983. Colored pencil and pencil on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Caption: “Giacometti’s face was rought creased by deep lines horizontal vertical and diagonal. The color was often unhealthy. The hairdo was exploding steel woo. In repose he looked angry. But when he liked something a smile of infinite kindness illuminated and transformed his face. (He had also an unexpected resemblance to Colette.)”

Van Gogh, c. 1982. Colored pencil, crayon, marker, and collage on paper, 13 7/8 x 11 in. The Saul Steinberg Foundation.

Aldo Buzzi and Sigrid Spaeth, 1980.

Untitled (Seated Woman), April, 1980. Pencil and colored pencil on paper, 14 x 17 in. The Saul Steinberg Foundation. As reproduced in Dal Vero.

Daniela Roman in Amagansett, August 19, 1979. Pencil and crayon on paper, 14 ½ x 16 ½ in. Private collection.

Drawing in The New Yorker, “Cousins” portfolio, May 28, 1979

Original drawing for the portfolio “Uncles,” The New Yorker, December 25, 1978

Three Brothers, 1977

Portrait of Harold Rosenberg, 1972. Watercolor, crayon, and graphite on paper, 14 1/16 x 10 ¼ in. Yale University Art Gallery; The Lawrence and Regina Dubin Family Collection, Gift of Dr. Lawrence Dubin, B.S. 1955, M.D. 1958.

Self-Portrait Table, 1971. Mixed media on wood, 24 ½ × 36 7/16 × 2 in. Whitney Museum of American Art, New York; purchase, with funds from Charles B. Benenson and the Burroughs Wellcome Purchase Fund in honor of the Museum’s 50th Anniversary.

Untitled, c. 1966. Ink, rubber stamp, and pencil on paper, 14 ½ x 19 in. Private collection.

The Spiral, 1966

Untitled (Self-Portrait), c. 1965. Ink on cut silver gelatin photo, with pencil, 11 x 8 ½ in. Private collection.

Untitled, 1965. Pencil and ballpoint pen on photo copy, 11 x 8 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.

Untitled, 1963

Harold Rosenberg, 1962. Crayon and ink on paper, 9 ½ x 10 ¼ in. Private collection.

Drawing in The New Yorker, July 10, 1954

Drawing in The New Yorker, February 27, 1954

Bernard Berenson, 1951. Pencil on paper, 5 1/8 x 3 ¾ in. The Saul Steinberg Foundation.

Untitled, 1948

Self-Portrait with Hedda Sterne in Cadillac, 1947. Ink on paper, 11 ½ x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.

Ruth Nivola, 1947. Ink on paper, 11 x 14 in. The Saul Steinberg Foundation.

Sartre, 1946. Pencil on paper, 12 x 9 in. The Saul Steinberg Foundation.

Portrait of Alexander Calder, 1946. Ink on paper, 14 ½ x 11 ½ in. Calder Foundation, New York.

Aldo in Paris, 1946. Ballpoint pen on paper, 12 ½ x 9 ½ in. Collection of Marina Marchesi and Franco Salghetti-Drioli.

Portrait of Bernard Rudofsky, c. 1944. Photostat, 11 ¾ x 8 ¼ in. The Bernard Rudofsky Estate, Vienna.