Drawing for Steinberg’s mural of Detroit, 1949. The Detroit Institute of Arts
Drawing for Steinberg’s mural of Detroit, 1949 (Detail)
Drawing for Steinberg’s mural of Detroit, 1949
Page from the catalogue of An Exhibition for Modern Living, with color added to Steinberg’s drawing
Trains, 1949
Page of lampoons of chair designs from The Art of Living, 1949
Untitled, 1948
Bar with Steinberg’s mural – “Four Aces” ships of the American Export Lines, 1948
Detail of the Terrace Plaza mural, 1948. Cincinnati Art Museum.
Terrace Plaza mural (part) – Cincinnati Art Museum, 2007
Detail of the American Export Lines mural, 1948
Drawing, c. 1947. Published in The Art of Living, 1949.
Self-Portrait with Hedda Sterne in Cadillac, 1947. Ink on paper, 11 ½ x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Ruth Nivola, 1947. Ink on paper, 11 x 14 in. The Saul Steinberg Foundation.
Drawing in The New Yorker, August 9, 1947
Cover of Harper’s Bazaar, May 1947
From the “Berlin” portfolio, The New Yorker, March 29, 1947.
Drawing for mural at Bonwit Teller’s department store, 1947. The Obelisk Rider, 1947
Document for Henri Cartier-Bresson, 1947. Ink and collage on paper, 14 3/8 x 11 3/16 in. Fondation Henri Cartier-Bresson, Paris.
Views of Paris, 1946-49
Sartre, 1946. Pencil on paper, 12 x 9 in. The Saul Steinberg Foundation.
Portrait of Alexander Calder, 1946. Ink on paper, 14 ½ x 11 ½ in. Calder Foundation, New York.
Aldo in Paris, 1946. Ballpoint pen on paper, 12 ½ x 9 ½ in. Collection of Marina Marchesi and Franco Salghetti-Drioli.
Drawing in The New Yorker, December 9, 1946
Original drawing for The New Yorker, October 12, 1946
Drawing in The New Yorker, May 18, 1946.
Advertisement for D’Orsay Perfume, 1946
Advertisement for D’Orsay perfume, published in The New Yorker, May 4, 1946.
Drawing in The New Yorker, April 4, 1946
“Soap Opera.” Fortune, March 1946
Head, 1945
Drawing in The New Yorker, February 3, 1945
Cover of The New Yorker, January 13, 1945
Portrait of Bernard Rudofsky, c. 1944. Photostat, 11 ¾ x 8 ¼ in. The Bernard Rudofsky Estate, Vienna.
From the “Italy” portfolio, 1944
Toilet paper produced by Morale Operations, 1944
Drawing in The New Yorker, March 11, 1944.
Propaganda drawing (Hitler as a two-faced wolf), 1944
Anti-Fascist cartoon in PM, 1941
Anti-Fascist cartoon in PM, 1943
Strada Palas, 1942. Ink, watercolor, and pencil on paper, 14 7/8 x 21 ¾ in. The Saul Steinberg Foundation.
“Who’ll Be Drafted When?” Fortune, November 1942
Drawing in The New Yorker, October 17, 1942
Anti-Fascist cartoon in PM, August 23, 1942.
Anti-Fascist cartoon in Liberty, August 8, 1942.
Anti-Fascist cartoon in American Mercury, April 1942.
