Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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Drawing in The New Yorker, April 4, 1946.
Drawing in The New Yorker, April 4, 1946.
Advertisement for D’Orsay perfume, published in The New Yorker, May 4, 1946.
Advertisement for D’Orsay perfume, published in The New Yorker, May 4, 1946.
Advertisement for D’Orsay Perfume, 1946.
Advertisement for D’Orsay Perfume, 1946.
Drawing in The New Yorker, May 18, 1946.
Drawing in The New Yorker, May 18, 1946.
Original drawing for The New Yorker, October 12, 1946. Feet on Chair, ink over pencil on paper, 9 1/8 x 9 ¼ in. Private collection.
Original drawing for The New Yorker, October 12, 1946. Feet on Chair, ink over pencil on paper, 9 1/8 x 9 ¼ in. Private collection.
Drawing in The New Yorker, December 9, 1946.
Drawing in The New Yorker, December 9, 1946.
Aldo in Paris, 1946. Ballpoint pen on paper, 12 ½ x 9 ½ in. Collection of Marina Marchesi and Franco Salghetti-Drioli.
Aldo in Paris, 1946. Ballpoint pen on paper, 12 ½ x 9 ½ in. Collection of Marina Marchesi and Franco Salghetti-Drioli.
Portrait of Alexander Calder, 1946. Ink on paper, 14 ½ x 11 ½ in. Calder Foundation, New York.
Portrait of Alexander Calder, 1946. Ink on paper, 14 ½ x 11 ½ in. Calder Foundation, New York.
Sartre, 1946. Pencil on paper, 12 x 9 in. The New York Public Library; Gift of The Saul Steinberg Foundation.
Sartre, 1946. Pencil on paper, 12 x 9 in. The New York Public Library; Gift of The Saul Steinberg Foundation.
Views of Paris, 1946-49. Silk textile for Patterson Fabrics. Cooper Hewitt Smithsonian Design Museum, New York; Gift of The Saul Steinberg Foundation.
Views of Paris, 1946-49. Silk textile for Patterson Fabrics. Cooper Hewitt Smithsonian Design Museum, New York; Gift of The Saul Steinberg Foundation.
Document for Henri Cartier-Bresson, 1947. Ink and collage on paper, 14 3/8 x 11 3/16 in. Fondation Henri Cartier-Bresson, Paris.
false letter
Drawing for mural at Bonwit Teller’s department store, 1947. The Obelisk Rider, 1947. Watercolor and ink on paper, 14 ½ x 23 in. Collection of Carol and Douglas Cohen.
Drawing for mural at Bonwit Teller’s department store, 1947. The Obelisk Rider, 1947. Watercolor and ink on paper, 14 ½ x 23 in. Collection of Carol and Douglas Cohen.
From the “Berlin” portfolio, The New Yorker, March 29, 1947.
From the “Berlin” portfolio, The New Yorker, March 29, 1947.
Cover of Harper’s Bazaar, May 1947. Editorial note: “To symbolize the new French fashions shown in this issue, Steinberg’s four versions of the famous column of the Place Vendôme in Paris.”
Cover of Harper’s Bazaar, May 1947. Editorial note: “To symbolize the new French fashions shown in this issue, Steinberg’s four versions of the famous column of the Place Vendôme in Paris.”
Drawing in The New Yorker, August 9, 1947
Drawing in The New Yorker, August 9, 1947
Ruth Nivola, 1947. Ink on paper, 11 x 14 in. The Saul Steinberg Foundation.
Ruth Nivola, 1947. Ink on paper, 11 x 14 in. The Saul Steinberg Foundation.
Self-Portrait with Hedda Sterne in Cadillac, 1947. Ink on paper, 11 ½ x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Self-Portrait with Hedda Sterne in Cadillac, 1947. Ink on paper, 11 ½ x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Drawing, c. 1947. Published in The Art of Living, 1949.
Drawing, c. 1947. Published in The Art of Living, 1949.
Detail of the American Export Lines mural, 1948.
Detail of the American Export Lines mural, 1948.
One part of the mural of Cincinnati for the Terrace Plaza Hotel, as installed in the Cincinnati Art Museum, 2007.
One part of the mural of Cincinnati for the Terrace Plaza Hotel, as installed in the Cincinnati Art Museum, 2007.
Detail of the mural of Cincinnati for the Terrace Plaza Hotel, 1948. Cincinnati Art Museum.
Detail of the mural of Cincinnati for the Terrace Plaza Hotel, 1948. Cincinnati Art Museum.
Bar with Steinberg’s mural in one of the “Four Aces” ships of the American Export Lines, 1948.
Bar with Steinberg’s mural in one of the “Four Aces” ships of the American Export Lines, 1948.
Untitled, 1948. Ink on paper, 14 ¼ x 11 ¼ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled, 1948. Ink on paper, 14 ¼ x 11 ¼ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page of lampoons of chair designs from The Art of Living, 1949.
Page of lampoons of chair designs from The Art of Living, 1949.
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