Untitled, 1951-52

Train, 1951

“Juke Box.” Harper’s Bazaar, August 1951

Untitled, 1951

Untitled, 1951

Untitled, 1951

Untitled, 1951

Third Avenue Photo (Junk Street

Sheriff, 1951

Horses, 1951

Highway, 1951

Galleria di Milano, 1951

Fur Coats, 1951

Excavation 1951

Engine, 1951

Cowboys, 1951

Bernard Berenson, 1951. Pencil on paper, 5 1/8 x 3 ¾ in. The Saul Steinberg Foundation.

Panel 3 of Parade, 1951

Panel 2 of Parade, 1951

Panel 1 of Parade, 1951

Parade 2, c. 1950-51

Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.

Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.

Untitled, c. 1950-52

Steinberg’s Flowers, c. 1950-55

Paris Opera, c. 1950-53

Aviary, c. 1950-51

Untitled (Flyscreen), c. 1950

The Wedding, c. 1950

Drawing in The New Yorker, October 21, 1950

Chest of Drawers Cityscape, 1950

Untitled, 1950

Untitled, 1950. Gelatin silver print, 14 x 11 in

Untitled, 1950

Untitled, 1950. Gelatin silver print, 5 x 4 in.

Fingerprint Landscape, 1950

Fake Letters, c. 1950. Ink on 3 sheets of hotel letterhead; ink and wash on pseudo-photograph, 15 x 16 ½ in. The Saul Steinberg Foundation.

Original drawing for the portfolio “The Coast,” The New Yorker, January 27, 1951

Page from Flair, March 1950

Untitled, 1950

Page from Flair, March 1950

“Change of Mind 1900-1950,” 1940s. Vogue, January 1950

“Change of Mind 1900-1950,” 1930s. Vogue, January 1950

“Change of Mind 1900-1950,” 1920s. Vogue, January 1950

“Change of Mind 1900-1950,” 1910s. Vogue, January 1950

“Change of Mind 1900-1950,” 1900s. Vogue, January 1950

The Declaration of Independence, 1949-54

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