Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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Inventory, 1971. Mixed media on wood, 20 x 26 x 2 in. Private collection
Inventory, 1971. Mixed media on wood, 20 x 26 x 2 in. Private collection
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Self-Portrait Table, 1971. Mixed media on wood, 24 ½ × 36 7/16 × 2 in. Whitney Museum of American Art, New York; purchase, with funds from Charles B. Benenson and the Burroughs Wellcome Purchase Fund in honor of the Museum's 50th Anniversary.
Self-Portrait Table, 1971. Mixed media on wood, 24 ½ × 36 7/16 × 2 in. Whitney Museum of American Art, New York; purchase, with funds from Charles B. Benenson and the Burroughs Wellcome Purchase Fund in honor of the Museum's 50th Anniversary.
Six Terrorists, 1971. Colored pencil, pencil, and ink on paper, 14 x 20 in. Private collection. Original drawing for “The City” portfolio, The New Yorker, February 24, 1973.
Six Terrorists, 1971. Colored pencil, pencil, and ink on paper, 14 x 20 in. Private collection. Original drawing for “The City” portfolio, The New Yorker, February 24, 1973.
Union Square, 1971. Ink, colored pencil, and rubber stamp on paper, 17 ½ x 17 ½ in. Private collection.
Union Square, 1971. Ink, colored pencil, and rubber stamp on paper, 17 ½ x 17 ½ in. Private collection.
Viale Romagna (Via Pascoli), 1971. Ink, crayon, and pencil on paper, 19 ½ x 25 ½ in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
Viale Romagna (Via Pascoli), 1971. Ink, crayon, and pencil on paper, 19 ½ x 25 ½ in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
Cover of The New Yorker, February 5, 1972
Cover of The New Yorker, February 5, 1972
Guilty, 1972. Ink and colored pencil on paper, 14 1/8 x 22 ½ in. The Jewish Museum, New York; Gift of The Saul Steinberg Foundation.
Guilty, 1972. Ink and colored pencil on paper, 14 1/8 x 22 ½ in. The Jewish Museum, New York; Gift of The Saul Steinberg Foundation.
Colors, 1971. Cut paper collage with watercolor, oil, colored pencil, colored paper, and rubber stamp on paper, 29 ¼ x 21 ¾ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for The New Yorker cover, October 21, 1972.
Colors, 1971. Cut paper collage with watercolor, oil, colored pencil, colored paper, and rubber stamp on paper, 29 ¼ x 21 ¾ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for The New Yorker cover, October 21, 1972.
Portrait of Harold Rosenberg, 1972. Watercolor, crayon, and graphite on paper, 14 1/16 x 10 ¼ in. Yale University Art Gallery; The Lawrence and Regina Dubin Family Collection, Gift of Dr. Lawrence Dubin, B.S. 1955, M.D. 1958.
Portrait of Harold Rosenberg, 1972. Watercolor, crayon, and graphite on paper, 14 1/16 x 10 ¼ in. Yale University Art Gallery; The Lawrence and Regina Dubin Family Collection, Gift of Dr. Lawrence Dubin, B.S. 1955, M.D. 1958.
Street War (Cadavre Exquis), c. 1972-74. Pencil, crayon, colored pencil, and ballpoint pen on two joined sheets of paper, 21 x 13 ½ in. The Saul Steinberg Foundation
Street War (Cadavre Exquis), c. 1972-74. Pencil, crayon, colored pencil, and ballpoint pen on two joined sheets of paper, 21 x 13 ½ in. The Saul Steinberg Foundation
The Airport, 1973. Oil on paper, 28 7/8 x 39 7/8 in. Private collection
The Airport, 1973. Oil on paper, 28 7/8 x 39 7/8 in. Private collection
From “The City” portfolio, The New Yorker, February 24, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
From “The City” portfolio, The New Yorker, February 24, 1973
Milanese II, 1973. Rubber stamps, pencil, and colored pencil on paper, 23 x 29 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022).
Milanese II, 1973. Rubber stamps, pencil, and colored pencil on paper, 23 x 29 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022)
Table Series: Union Square, 1973. Mixed media on wood, 30 ¾ x 22 7/8 x 2 in. Institut du Dessin, Fondation Adami, Vaduz
Table Series: Union Square, 1973. Mixed media on wood, 30 ¾ x 22 7/8 x 2 in. Institut du Dessin, Fondation Adami, Vaduz
The West Side, 1973. Ink and colored pencil on paper, 19 x 25 in. Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation
The West Side, 1973. Ink and colored pencil on paper, 19 x 25 in. Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation
Untitled, 1973. Pencil, colored pencil, crayon, and rubber stamps on paper, 20 x 30 in. The Saul Steinberg Foundation
Untitled, 1973. Pencil, colored pencil, crayon, and rubber stamps on paper, 20 x 30 in. The Saul Steinberg Foundation
Untitled, 1973. Ink on paper, 13 ½ x 14 ¾ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled, 1973
The New Yorker Airmail, 1974. Pencil, colored pencil, collage, and ink on paper, 19 ¾ x 25 5/8 in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
The New Yorker Airmail, 1974. Pencil, colored pencil, collage, and ink on paper, 19 ¾ x 25 5/8 in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
Untitled, 1974. Ink, colored pencil, and collage on paper, 14 ½ x 19 ¼ in. Private collection. Original drawing for “The Power Broker,” part I, The New Yorker, July 22, 1974.
Untitled, 1974. Ink, colored pencil, and collage on paper, 14 ½ x 19 ¼ in. Private collection. Original drawing for “The Power Broker,” part I, The New Yorker, July 22, 1974.
Utopia, 1974. Colored pencil, pencil, watercolor, crayon, ink, rubber stamps, and collage on paper, 21 ½ x 29 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation. Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974.
Utopia, 1974. Colored pencil, pencil, watercolor, crayon, ink, rubber stamps, and collage on paper, 21 ½ x 29 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation. Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974.
Untitled, 1974. Colored pencil, ink, rubber stamps, and masking tape on paper, 19 5/8 x 25 ½ in. Private collection. Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974.
Untitled, 1974. Colored pencil, ink, rubber stamps, and masking tape on paper, 19 5/8 x 25 ½ in. Private collection. Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974.
“The Power Broker,” part IV, as published in The New Yorker, August 19, 1974
“The Power Broker,” part IV, as published in The New Yorker, August 19, 1974
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