Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974
Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974
Untitled, 1973
Table Series: Union Square, 1973
Milanese II, 1973
Original drawing for The New Yorker cover, October 21, 1972
Union Square, 1971. Ink, colored pencil, and rubber stamp on paper, 17 ½ x 17 ½ in. Private collection.
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. The Saul Steinberg Foundation.
Inventory, 1971
Cover of The New Yorker, September 25, 1971
Untitled (The General), 1970, from the Peace Portfolio I. Silkscreen, 20 1/8 x 26 in. The Saul Steinberg Foundation
The Tree, 1970
Music and China, plate 2 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 21 ¼ x 29 ½ in. The Saul Steinberg Foundation.
Artist, 1970
Untitled [Knight and Pineapple], c. 1970
Early Works (Still Life Table), 1970
Via Aerea, 1969
Untitled, 1969
Still Life with Ledger, 1969
Nine Postcards, 1969
Louse Point, 1969
Certified Landscape, 1969
Artists and War, 1969
Album, 1969
Original drawing for “The Mayor, Part I,” The New Yorker, May 3, 1969
Woman and Table, 1968
Tree Bauhaus, 1968
The Smithsonian, 1967
Original drawing for the “Rubber Stamps” portfolio, The New Yorker, December 3, 1966
Cover of The New Yorker, October 15, 1966
Untitled, 1966
Not Yet, 1965-66
Advertisement for Simplicity Patterns, published in The New York Times Magazine, November 6, 1955
Page from a 1954 appointment book III
Page from a 1954 appointment book II
Page from a 1954 appointment book I
Group Photo, 1953
Passport, 1953
Parade 2, c. 1950-51
Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.
Two pages from Steinberg’s inventory of custom-made rubber stamps. 14 ½ x 23 each. The Morgan Library & Museum; Gift of The Saul Steinberg Foundation.
