Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

RESET
Detail of the mural of Cincinnati for the Terrace Plaza Hotel, 1948. Cincinnati Art Museum.
Detail of the mural of Cincinnati for the Terrace Plaza Hotel, 1948. Cincinnati Art Museum.
Bar with Steinberg’s mural in one of the “Four Aces” ships of the American Export Lines, 1948.
Bar with Steinberg’s mural in one of the “Four Aces” ships of the American Export Lines, 1948.
Untitled, 1948. Ink on paper, 14 ¼ x 11 ¼ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled, 1948. Ink on paper, 14 ¼ x 11 ¼ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page of lampoons of chair designs from The Art of Living, 1949.
Page of lampoons of chair designs from The Art of Living, 1949.
Trains, 1949. Screen print on paper for Piazza Prints. Cooper-Hewitt National Design Museum, New York; Gift of Harvey Smith.
Trains, 1949. Screen print on paper for Piazza Prints. Cooper-Hewitt National Design Museum, New York; Gift of Harvey Smith.
Page from the catalogue of An Exhibition for Modern Living, with color added to Steinberg’s drawing for his mural of Detroit, 1949.
Page from the catalogue of An Exhibition for Modern Living, with color added to Steinberg’s drawing for his mural of Detroit, 1949.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
Drawing for Steinberg’s mural of Detroit, 1949. Ink over pencil on paper, 14 5/8 x 23 1/8 in. The Detroit Institute of Arts; Gift of the J.L. Hudson Company.
The Declaration of Independence, 1949-54 (inscribed to Carl Theodor Dreyer and dated to the time of the gift, 1959). Ink on paper, 14 ½ x 22 ¾ in. Private collection.
The Declaration of Independence, 1949-54 (inscribed to Carl Theodor Dreyer and dated to the time of the gift, 1959). Ink on paper, 14 ½ x 22 ¾ in. Private collection.
“Change of Mind 1900-1950,” 1900s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1900s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1910s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1910s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1920s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1920s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1930s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1930s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1940s. Vogue, January 1950.
“Change of Mind 1900-1950,” 1940s. Vogue, January 1950.
Page from Flair, March 1950, p. 82.
Page from Flair, March 1950, p. 82.
Untitled, 1950. Gelatin silver print, 10 x 8 in. Private collection. Reproduced in Flair, March 1950, p. 87.
Untitled, 1950. Gelatin silver print, 10 x 8 in. Private collection. Reproduced in Flair, March 1950, p. 87.
Page from Flair, March 1950, p. 88.
Page from Flair, March 1950, p. 88.
Woman on Tub, 1949. Gelatin silver print, 10 x 8 in. Private collection. Reproduced in Flair, March 1950, p. 95.
Woman on Tub, 1949. Gelatin silver print, 10 x 8 in. Private collection. Reproduced in Flair, March 1950, p. 95.
Exterminator No. 9, 1950, ink on paper, 14 ½ x 11 ½ in. Original drawing for the portfolio “The Coast,” The New Yorker, January 27, 1951. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Exterminator No. 9, 1950, ink on paper, 14 ½ x 11 ½ in. Original drawing for the portfolio “The Coast,” The New Yorker, January 27, 1951. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Diploma Series (Fake Letters), c. 1950-1952. Ink on 3 sheets of hotel letterhead; ink and wash on pseudo-photograph, 15 x 16 ½ in. Museum of Fine Arts, Boston; Gift of The Saul Steinberg Foundation.
Diploma Series (Fake Letters), c. 1950-1952. Ink on 3 sheets of hotel letterhead; ink and wash on pseudo-photograph, 15 x 16 ½ in. Museum of Fine Arts, Boston; Gift of The Saul Steinberg Foundation.
Fingerprint Landscape, 1950. Ink and fingerprints on paper, 14 ½ x 11 1/8 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Fingerprint Landscape, 1950. Ink and fingerprints on paper, 14 ½ x 11 1/8 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Untitled, 1950. Gelatin silver print, 5 x 4 in. The Saul Steinberg Foundation.
Untitled, 1950. Gelatin silver print, 5 x 4 in. The Saul Steinberg Foundation.
Untitled, 1950. Gelatin silver print, 14 x 11 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.
Untitled, 1950. Gelatin silver print, 14 x 11 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.
Prev 1 2 3 4 5 6 … 21 Next
Back to top