Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

RESET
Techniques at a Party I, 1953. Ink, watercolor, pencil, and crayon on paper, 14 ½ x 23 in. The Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation.
Techniques at a Party I, 1953. Ink, watercolor, pencil, and crayon on paper, 14 ½ x 23 in. The Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation.
Untitled (Victoria-Brighton), 1953. Ink and crayon on paper, 15 ¾ x 12 3/8 in. Private collection.
Untitled (Victoria-Brighton), 1953. Ink and crayon on paper, 15 ¾ x 12 3/8 in. Private collection.
Drawing in The New Yorker, August 29, 1953.
Drawing in The New Yorker, August 29, 1953.
Drawing published in The New Yorker, October 17, 1953.
Drawing published in The New Yorker, October 17, 1953.
Looking Back, ink on paper, 13 1/8 x 10 ¼ in. Private collection. Original drawing for The New Yorker, December 26, 1953.
Looking Back, ink on paper, 13 1/8 x 10 ¼ in. Private collection. Original drawing for The New Yorker, December 26, 1953.
Vichy Water Still Life, c. 1953. Ink, pencil, watercolor, lacquer, wash, veneer, and collage on paper, 14 ½ x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation
Vichy Water Still Life, c. 1953. Ink, pencil, watercolor, lacquer, wash, veneer, and collage on paper, 14 ½ x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation
Untitled, 1953. Ink and pencil on paper, 11 ½ x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, September 26, 1953.
Untitled, 1953. Ink and pencil on paper, 11 ½ x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, September 26, 1953.
Drawing in The New Yorker, February 27, 1954
Drawing in The New Yorker, February 27, 1954
Fabric collage, “Saul Steinberg’s View of ‘The Threepenny Opera,’ Revived.” Vogue, May 15, 1954.
Fabric collage, “Saul Steinberg’s View of ‘The Threepenny Opera,’ Revived.” Vogue, May 15, 1954.
First part of the drawing for The Line, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink on paper folded into 29 sections, 18 x 404 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
First part of the drawing for The Line, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink on paper folded into 29 sections, 18 x 404 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Drawing in The New Yorker, July 10, 1954.
Drawing in The New Yorker, July 10, 1954.
Graph Paper Architecture, 1954. Ink and collage on paper, 14 ½ x 11 ½ in. Collection of Leon and Michaela Constantiner, New York.
Graph Paper Architecture, 1954. Ink and collage on paper, 14 ½ x 11 ½ in. Collection of Leon and Michaela Constantiner, New York.
Kitchen Street, 1954. Colored pencil, gouache and ink on gelatin silver print, 11 x 14 in. Collection of Richard and Ronay Menschel.
Kitchen Street, 1954. Colored pencil, gouache and ink on gelatin silver print, 11 x 14 in. Collection of Richard and Ronay Menschel.
Park Avenue Collage, 1954. Ink and sheet music and graph papers, 22 7/8 x 14 3/8 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022).
Park Avenue Collage, 1954. Ink and sheet music and graph papers, 22 7/8 x 14 3/8 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022).
Subway, 1954. Ink, crayon, and charcoal on torn brown paper mounted to board, 26 x 19 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.
Subway, 1954. Ink, crayon, and charcoal on torn brown paper mounted to board, 26 x 19 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation.
The City, 1954. Ink, watercolor, crayon, and pencil on paper, 22 ½ x 28 ½ in. Williams College Museum of Art, Williamstown, Massachusetts; Gift of The Saul Steinberg Foundation.
The City, 1954. Ink, watercolor, crayon, and pencil on paper, 22 ½ x 28 ½ in. Williams College Museum of Art, Williamstown, Massachusetts; Gift of The Saul Steinberg Foundation.
Untitled, 1954. Ink on paper, 14 ½ x 23 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Untitled, 1954. Ink on paper, 14 ½ x 23 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Untitled, 1954. Ink and collage on paper, 14 ½ x 11 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled, 1954. Ink and collage on paper, 14 ½ x 11 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled, 1949-54. Ink and pencil on paper, 14 ½ x 23 ¼ in. Private collection.
Untitled, 1949-54. Ink and pencil on paper, 14 ½ x 23 ¼ in. Private collection.
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Page from a 1954 appointment book. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
“Children’s Labyrinth” at the 10th Milan Triennial, 1954.
“Children’s Labyrinth” at the 10th Milan Triennial, 1954.
Steinberg adding the Castello Sforzesco to the wall of the “Children’s Labyrinth” at the 10th Milan Triennial, August 1954.
Steinberg adding the Castello Sforzesco to the wall of the “Children’s Labyrinth” at the 10th Milan Triennial, August 1954.
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