Search Artwork
After you make your selection within one, two, or all three categories for your search, click on FILTER ARTWORK. After each search, click on CLEAR FILTERS. The subject categories below present a small sampling of the many themes Steinberg developed in his long career. The whereabouts of some Steinberg drawings are presently unknown; they are recorded only in reproduction. For these works, publication details are provided.
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Road Map—Per Aspera ad Astra, 1959. Ink and watercolor on board, 20 x 30 in. Biblioteca Nazionale Braidense/Pinacoteca di Brera, Milan; Gift of The Saul Steinberg Foundation.
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“Saul Steinberg Stops for the Night.” Fortune, June 1959.
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Speech, 1959. Ink, pencil, conté crayon, and rubber stamps on paper, 15 x 20 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
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Untitled, 1959. Ink over pencil, crayon, oil, and watercolor on paper, 19 ¾ x 15 in. Private collection
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Untitled, 1959. Ink on paper, 14 ½ x 23 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, August 29, 1959.
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Cover of The New Yorker, April 2, 1960
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Yes, No, drawing in The New Yorker, May 28, 1960
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Tantrum, from a Word portfolio, The New Yorker, August 20, 1960
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Page from a telephone notepad, early 1960s. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
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Help! from a Word portfolio, The New Yorker, August 20, 1960
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Eat, from a Word portfolio, The New Yorker, August 20, 1960
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Untitled (New Year’s Eve), 1954-60. Ink, watercolor, and colored pencil on paper, 14 ½ x 23 in. Cincinnati Art Museum; Gift of The Saul Steinberg Foundation.
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Cover of The New Yorker, June 10, 1961
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Untitled, 1961. Ink, pencil, and rubber stamps on paper, 22 7/8 x 14 ½ in. Private collection
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Page from the “Question Mark” portfolio, The New Yorker, July 29, 1961
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Mask, 1961. Ink, crayon, and collage on brown paper bag, 15 ¾ x 8 ¼ in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
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Drawing in The New Yorker, October 7, 1961
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Drawing in The New Yorker, June 30, 1962
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Untitled [Mail], 1962. Ink, watercolor, crayon, pencil, and collage on paper, 23 x 14 ½ in. Drawing for The New Yorker cover, September 17, 1966. Private collection
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Mask, 1961-62. Crayon and pencil on brown paper bag, 14 5/8 x 7 ¾ in. The Jewish Museum, New York; Gift of The Saul Steinberg Foundation.
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Mask, 1961-62. Ink and crayon on brown paper bag, 14 ¾ x 8 ¼ in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
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Mask, 1961-62. Ink and crayon on brown paper bag, 15 7/8 x 7 7/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
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Mask, 1961-62. Marker, colored pencil, crayon, and pastel on brown paper bag. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
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Mask, 1961-62. Marker, colored pencil, and pencil on brown paper bag, 13 ¼ x 7 5/8 in. The Saul Steinberg Foundation
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Group Portrait with Masks (from the Mask Series with Saul Steinberg), 1962. Photograph by Inge Morath, © The Inge Morath Foundation
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Small Family Group, Chelsea Hotel (from the Mask Series with Saul Steinberg), 1962. Photograph by Inge Morath, © The Inge Morath Foundation
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Untitled (from the Mask Series with Saul Steinberg), 1962. Photograph by Inge Morath, © The Inge Morath Foundation
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Cover of The New Yorker, October 6, 1962
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Page from the “Numbers” portfolio, The New Yorker, November 17, 1962.
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Harold Rosenberg, 1962. Crayon and ink on paper, 9 ½ x 10 ¼ in. Private collection.
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Untitled, 1962. Ink on paper, 14 ½ x 23 1/8 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Originally published in The New Yorker, October 20, 1962.
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Drawing in The New Yorker, March 2, 1963
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Cover of The New Yorker, May 25, 1963
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Untitled, 1963. Ink on paper, 20 ½ x 14 3/8 in. Collection of Daniela Roman
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From “Steinberg at the Races.” Sports Illustrated, November 11, 1963.
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Drawing in The New Yorker, November 30, 1963
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Untitled [Paris-Sardinia], 1963. Ink, ballpoint, crayon, watercolor, colored pencil, and pencil on paper, 23 1/8 x 14 3/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
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Rainbow Landscape, 1964. Ink, colored pencil, marker, and pencil on paper, 17 ¾ x 11 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
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Untitled [Initials], 1964. Variant of The New Yorker cover, December 5, 1964. Crayon, pencil, and ink over pencil on paper, 19 ¾ x 14 ½ in. The Saul Steinberg Foundation
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Untitled, 1964. Pencil and colored pencil on paper, 10 ¾ x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
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Drawing in The New Yorker, August 1, 1964
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Cover of The New Yorker, December 5, 1964
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Untitled, 1964-65. As reproduced in Steinberg: Le Masque, 1966
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Untitled, 1962-64. Ink, pencil, and watercolor on paper, 22 x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation. Originally published in The New Yorker, August 11, 1962.
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Cover of The New Yorker, January 16, 1965
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“The Communications Explosion.” Cover of TIME, May 14, 1965.
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Biography, 1965. Watercolor, pencil, and ink on paper, 22 x 15 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
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Nouvelles Russes, 1965. Ink and collage on paper, 19 ¾ x 29 ¾ in. Private collection
