Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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“Busti,” Bertoldo, April 27, 1937. “No, dear sir. It’s the other half you were supposed to make.”
“Busti,” Bertoldo, April 27, 1937. “No, dear sir. It’s the other half you were supposed to make.”
“Arte pura,” Bertoldo, August 27, 1937. “I’m telling you, madame, for my watercolors I use eau de Cologne.”
“Arte pura,” Bertoldo, August 27, 1937. “I’m telling you, madame, for my watercolors I use eau de Cologne.”
“Mobili ultramoderni” (“Ultramodern Furniture”), Bertoldo, November 16, 1937. “This Novecento armchair is super comfortable. You can lie under it and be like a king.”
“Mobili ultramoderni” (“Ultramodern Furniture”), Bertoldo, November 16, 1937. “This Novecento armchair is super comfortable. You can lie under it and be like a king.”
“Panorami di Steinberg,” Bertoldo, February 11, 1938.
“Panorami di Steinberg,” Bertoldo, February 11, 1938.
“Persiflage from Paris,” Harper’s Bazaar, March 15, 1940, pp. 60
“Persiflage from Paris,” Harper’s Bazaar, March 15, 1940, pp. 60
“Persiflage from Paris,” Harper’s Bazaar, March 15, 1940, pp. 61
“Persiflage from Paris,” Harper’s Bazaar, March 15, 1940, pp. 61
“Disegno con battuta” (“Gag drawing”), Bertoldo, March 8, 1941. “That’s my husband, he has an inferiority complex.”
“Disegno con battuta” (“Gag drawing”), Bertoldo, March 8, 1941. “That’s my husband, he has an inferiority complex.”
Untitled, 1941. Tempera on board, 13 ¾ x 9 7/8 in. Estate of Aldo Buzzi.
Untitled, 1941. Tempera on board, 13 ¾ x 9 7/8 in. Estate of Aldo Buzzi.
Untitled, c. 1941. Gouache on paper, 21 ¼ x 17 in. Private collection.
Untitled, c. 1941. Gouache on paper, 21 ¼ x 17 in. Private collection.
“But it is half man and half horse,” The New Yorker, October 25, 1941, Steinberg’s first drawing in the magazine.
“But it is half man and half horse,” The New Yorker, October 25, 1941, Steinberg’s first drawing in the magazine.
Anti-Fascist cartoon in PM, February 8, 1942.
Anti-Fascist cartoon in PM, February 8, 1942.
Anti-Fascist cartoon in American Mercury, April 1942.
Anti-Fascist cartoon in American Mercury, April 1942.
Anti-Fascist cartoon in Liberty, August 8, 1942.
Anti-Fascist cartoon in Liberty, August 8, 1942.
Anti-Fascist cartoon in PM, August 23, 1942.
Anti-Fascist cartoon in PM, August 23, 1942.
Drawing in The New Yorker, October 17, 1942
Drawing in The New Yorker, October 17, 1942
Painting and collage accompanying article “Who’ll Be Drafted When?” Fortune, November 1942.
Painting and collage accompanying article “Who’ll Be Drafted When?” Fortune, November 1942.
Strada Palas, 1942. Ink, watercolor, and pencil on paper, 14 7/8 x 21 ¾ in. Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation.
Strada Palas, 1942. Ink, watercolor, and pencil on paper, 14 7/8 x 21 ¾ in. Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation.
Anti-Fascist cartoon in PM, February 17, 1943.
Anti-Fascist cartoon in PM, February 17, 1943.
Anti-Fascist cartoon in PM, March 23, 1943.
Anti-Fascist cartoon in PM, March 23, 1943.
Propaganda drawing (Hitler as a two-faced wolf), produced by Morale Operations, OSS, Rome, 1944.
Propaganda drawing (Hitler as a two-faced wolf), produced by Morale Operations, OSS, Rome, 1944.
Drawing in The New Yorker, March 11, 1944.
Drawing in The New Yorker, March 11, 1944.
Toilet paper produced by Morale Operations, Rome, 1944, with Hitler portrait and instructions “Use This Side.”
Hitler portrait and instructions “Use This Side.”
From the “Italy” portfolio, The New Yorker, June 10, 1944.
From the “Italy” portfolio, The New Yorker, June 10, 1944.
Portrait of Bernard Rudofsky, c. 1944. Photostat, 11 ¾ x 8 ¼ in. The Bernard Rudofsky Estate, Vienna.
Portrait of Bernard Rudofsky, c. 1944. Photostat, 11 ¾ x 8 ¼ in. The Bernard Rudofsky Estate, Vienna.
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