Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

RESET
Untitled, 1964-65. As reproduced in Steinberg: Le Masque, 1966
Untitled, 1964-65. As reproduced in Steinberg: Le Masque, 1966
Untitled, 1962-64. Ink, pencil, and watercolor on paper, 22 x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation. Originally published in The New Yorker, August 11, 1962.
Untitled, 1962-64. Ink, pencil, and watercolor on paper, 22 x 23 in. National Gallery of Art, Washington, DC; Gift of The Saul Steinberg Foundation. Originally published in The New Yorker, August 11, 1962.
Cover of The New Yorker, January 16, 1965
Cover of The New Yorker, January 16, 1965
“The Communications Explosion.” Cover of TIME, May 14, 1965.
“The Communications Explosion.” Cover of TIME, May 14, 1965.
Biography, 1965. Watercolor, pencil, and ink on paper, 22 x 15 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Biography, 1965. Watercolor, pencil, and ink on paper, 22 x 15 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Nouvelles Russes, 1965. Ink and collage on paper, 19 ¾ x 29 ¾ in. Private collection
Nouvelles Russes, 1965. Ink and collage on paper, 19 ¾ x 29 ¾ in. Private collection
November 26, 1965, 1965. Ink and colored pencil on paper, 14 ½ x 23 in. Museum Ludwig, Cologne; Gift of The Saul Steinberg Foundation
November 26, 1965, 1965. Ink and colored pencil on paper, 14 ½ x 23 in. Museum Ludwig, Cologne; Gift of The Saul Steinberg Foundation
Original drawing for The New Yorker, August 21, 1965. Project, 1965. Ink on paper, 14 ½ x 11 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Original drawing for The New Yorker, August 21, 1965. Project, 1965. Ink on paper, 14 ½ x 11 ½ in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University
Untitled [Mesa], 1965. Ink, crayon, colored pencil, rubber stamps, and watercolor on paper, 14 x 23 in. Private collection
Untitled [Mesa], 1965. Ink, crayon, colored pencil, rubber stamps, and watercolor on paper, 14 x 23 in. Private collection
Untitled, 1965. Pencil, ink, colored pencil, and collage on paper, 22 ¼ x 27 ½ in. Private collection
Untitled, 1965. Pencil, ink, colored pencil, and collage on paper, 22 ¼ x 27 ½ in. Private collection
Not Yet, 1965-66. Ink, colored pencil, gouache, watercolor, and rubber stamp on paper, 14 ½ x 23 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Not Yet, 1965-66. Ink, colored pencil, gouache, watercolor, and rubber stamp on paper, 14 ½ x 23 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Untitled (Self-Portrait), c. 1965. Ink on cut silver gelatin photo, with pencil, 11 x 8 ½ in. Private collection.
Untitled (Self-Portrait), c. 1965. Ink on cut silver gelatin photo, with pencil, 11 x 8 ½ in. Private collection.
Album, 1966. Watercolor, oil, ink, rubber stamps, colored pencil, and varnish on paper, 14 7/8 x 19 7/8 in. Private collection.
Album, 1966. Watercolor, oil, ink, rubber stamps, colored pencil, and varnish on paper, 14 7/8 x 19 7/8 in. Private collection.
Cover of The New Yorker, March 26, 1966
Cover of The New Yorker, March 26, 1966
Autogeography, 1966. Ink, gouache, and watercolor on paper, 29 ½ x 20 ¾ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022).
Autogeography, 1966. Ink, gouache, and watercolor on paper, 29 ½ x 20 ¾ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022)
Blue Pagoda, 1966. Lithograph with hand coloring, 20 ½ x 25 ¼ in. The Saul Steinberg Foundation
Blue Pagoda, 1966. Lithograph with hand coloring, 20 ½ x 25 ¼ in. The Saul Steinberg Foundation
Inventory, 1966. Ink and watercolor on paper, 22 x 28 in. Private collection
Inventory, 1966. Ink and watercolor on paper, 22 x 28 in. Private collection
The Spiral, 1966. Ink on paper, 19 x 25 ¼ in. The Menil Collection, Houston
The Spiral, 1966. Ink on paper, 19 x 25 ¼ in. The Menil Collection, Houston
The Spiral, 1966. Pencil and colored pencil on paper, 19 5/8 x 25 ½ in. Private collection
The Spiral, 1966. Pencil and colored pencil on paper, 19 5/8 x 25 ½ in. Private collection
The West Coast, 1966. Watercolor, ink, and colored pencil on paper, 14 x 20 in. Private collection
The West Coast, 1966. Watercolor, ink, and colored pencil on paper, 14 x 20 in. Private collection
Untitled, 1966. Ink and rubber stamp on paper, 19 x 24 7/8 in. The Saul Steinberg Foundation
Untitled, 1966. Ink and rubber stamp on paper, 19 x 24 7/8 in. The Saul Steinberg Foundation
Cover of The New Yorker, October 15, 1966
Cover of The New Yorker, October 15, 1966
Rubber Stamps, 1966. Ink, rubber stamps, and pencil on paper, 18 ½ x 12 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Original drawing for the “Rubber Stamps” portfolio, The New Yorker, December 3, 1966.
Rubber Stamps, 1966. Ink, rubber stamps, and pencil on paper, 18 ½ x 12 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Original drawing for the “Rubber Stamps” portfolio, The New Yorker, December 3, 1966.
Untitled, 1966. Ink on sheet music paper, 18 x 12 in. Yale University Art Gallery; Charles B. Benenson, B.A. 1933, Collection. Originally published in The New Yorker, May 6, 1967.
Untitled, 1966. Ink on sheet music paper, 18 x 12 in. Yale University Art Gallery; Charles B. Benenson, B.A. 1933, Collection. Originally published in The New Yorker, May 6, 1967.
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