Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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The Braque Postcard, plate 4 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 22 1/2 x 30 in. The Saul Steinberg Foundation.
The Braque Postcard, plate 4 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 22 1/2 x 30 in. The Saul Steinberg Foundation.
Cover of The New Yorker, March 7, 1970
Cover of The New Yorker, March 7, 1970
Cover of The New Yorker, June 6, 1970
Cover of The New Yorker, June 6, 1970
Exit Street, 1970. Colored pencil, pencil, and ink on paper, 14 ½ x 23 in. Private collection
Exit Street, 1970. Colored pencil, pencil, and ink on paper, 14 ½ x 23 in. Private collection
Early Works (Still Life Table), 1970. Tacks, cloth, metal plaque, oil, aluminum paint, carved wood, ink, crayon, rubber stamps, and pencil on wood panel, 15 ½ x 19 ½ in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Early Works (Still Life Table), 1970. Tacks, cloth, metal plaque, oil, aluminum paint, carved wood, ink, crayon, rubber stamps, and pencil on wood panel, 15 ½ x 19 ½ in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Konak, c. 1970. Colored pencil, pencil, rubber stamps, and collage on paper, 23 x 31 ½ in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Konak, c. 1970. Colored pencil, pencil, rubber stamps, and collage on paper, 23 x 31 ½ in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation.
Untitled [Knight and Pineapple], c. 1970. Pencil, colored pencil, collage, watercolor, ink, and rubber stamps on lithograph, 23 ½ x 30 in. Private collection
Untitled [Knight and Pineapple], c. 1970. Pencil, colored pencil, collage, watercolor, ink, and rubber stamps on lithograph, 23 ½ x 30 in. Private collection
Artist, 1970. Pencil, crayon, colored pencil, ink, and rubber stamp on paper, 22 ½ x 28 ½ in. National Gallery of Art, Washington, DC; The Saul Steinberg Foundation
Artist, 1970. Pencil, crayon, colored pencil, ink, and rubber stamp on paper, 22 ½ x 28 ½ in. National Gallery of Art, Washington, DC; The Saul Steinberg Foundation
Bleecker Street, 1970. Ink, pencil, colored pencil, and crayon on paper, 29 3/8 x 22 3/8 in. Private collection. Drawing for The New Yorker cover, January 16, 1971
Bleecker Street, 1970. Ink, pencil, colored pencil, and crayon on paper, 29 3/8 x 22 3/8 in. Private collection. Drawing for The New Yorker cover, January 16, 1971
Bucharest in 1924, 1970. Ink, pencil, and colored pencil on paper, 23 1/8 x 29 in. Private collection
Bucharest in 1924, 1970. Ink, pencil, and colored pencil on paper, 23 1/8 x 29 in. Private collection
Civil War (High School), 1970. Ink and pencil on paper, 22 ½ x 28 ½ in. Yale University Art Gallery; Charles B. Benenson, B.A. 1933, Collection
Civil War (High School), 1970. Ink and pencil on paper, 22 ½ x 28 ½ in. Yale University Art Gallery; Charles B. Benenson, B.A. 1933, Collection
Four Figures, 1970. Pencil, conté crayon, and rubber stamp on paper, 18 x 22 in. High Museum of Art, Atlanta; Gift of The Saul Steinberg Foundation. Original drawing for “The City” portfolio, The New Yorker, February 24, 1973.
Four Figures, 1970. Pencil, conté crayon, and rubber stamp on paper, 18 x 22 in. High Museum of Art, Atlanta; Gift of The Saul Steinberg Foundation. Original drawing for “The City” portfolio, The New Yorker, February 24, 1973.
Milano 1938, 1970. Pencil on colored pencil on paper, 18 3/8 x 24 3/8 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Milano 1938, 1970. Pencil on colored pencil on paper, 18 3/8 x 24 3/8 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Modena 1939, 1970. Ink, colored pencil, watercolor, and charcoal, 19 ¾ x 25 ½ in. Private collection. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Modena 1939, 1970. Ink, colored pencil, watercolor, and charcoal, 19 ¾ x 25 ½ in. Private collection. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Music and China, plate 2 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 21 ¼ x 29 ½ in. The Saul Steinberg Foundation.
Music and China, plate 2 from the portfolio Six Drawing Tables, published by Abrams Original Editions, 1970. Lithograph on paper, 21 ¼ x 29 ½ in. The Saul Steinberg Foundation.
The Tree, 1970. Oil on canvas, 46 x 78 in. Private collection
The Tree, 1970. Oil on canvas, 46 x 78 in. Private collection
Untitled (The General), 1970, from the Peace Portfolio I. Silkscreen, 20 1/8 x 26 in. Ackland Art Museum, Chapel Hill, North Carolina; Gift of The Saul Steinberg Foundation.
Untitled (The General), 1970, from the Peace Portfolio I. Silkscreen, 20 1/8 x 26 in. Ackland Art Museum, Chapel Hill, North Carolina; Gift of The Saul Steinberg Foundation.
Cover of The New Yorker, January 16, 1971
Cover of The New Yorker, January 16, 1971
Untitled, 1971. Ink with crayon and colored pencil on sheet music paper, 14 ¼ x 20 1/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Untitled, 1971. Ink with crayon and colored pencil on sheet music paper, 14 ¼ x 20 1/8 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
Untitled, 1971. Ink, marker pens, ballpoint pen, crayon, gouache, watercolor, and collage on paper, 22 ¾ x 14 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation. Original drawing for the cover of The New Yorker, July 31, 1971.
Untitled, 1971. Ink, marker pens, ballpoint pen, crayon, gouache, watercolor, and collage on paper, 22 ¾ x 14 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation. Original drawing for the cover of The New Yorker, July 31, 1971.
Cover of The New Yorker, September 25, 1971
Cover of The New Yorker, September 25, 1971
Bergamo 1939 (Milano Bauhaus), 1971. Pencil, colored pencil, ink, and crayon on paper, 22 5/8 x 28 ¾ in. The Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Bergamo 1939 (Milano Bauhaus), 1971. Pencil, colored pencil, ink, and crayon on paper, 22 5/8 x 28 ¾ in. The Morgan Library & Museum, New York; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Italy--1938,” The New Yorker, October 7, 1974.
Inventory, 1971. Mixed media on wood, 20 x 26 x 2 in. Private collection
Inventory, 1971. Mixed media on wood, 20 x 26 x 2 in. Private collection
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
Mexican Airmail, 1971. Pencil, colored pencil, crayon, oil, collage, and rubber stamps on paper, 20 x 28 3/8 in. Minneapolis Institute of Art; Gift of The Saul Steinberg Foundation.
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