Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979
Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1979
Bozeman, 1979
Daniela Roman in Amagansett, August 19, 1979. Pencil and crayon on paper, 14 ½ x 16 ½ in. Private collection.
Drawing in The New Yorker, “Cousins” portfolio, May 28, 1979
“Country Noises,” The New Yorker, February 12, 1979
Original drawing for the portfolio “Cousins,” The New Yorker, May 28, 1979. Untitled, 1978.
Original drawing for the portfolio “Uncles,” The New Yorker, December 25, 1978
Untitled, 1978
State Line Motel, 1978
Joggers, 1978
Original drawing for the portfolio “Country Traffic,” The New Yorker, December 1, 1980
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Athens Greece, 1978
Cover of The New Yorker, May 1, 1978
Cover of The New Yorker, March 13, 1978
Three Brothers, 1977
Original drawing for the portfolio “Postcards,” The New Yorker, January 16, 1978
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “Shadows and Reflected Images,” The New Yorker, November 21, 1977
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Original drawing for the portfolio “City Dogs,” The New Yorker, September 19, 1977
Paradise Cabins, 1976
North African Table, 1976
Original drawing for the portfolio “Postcards,” The New Yorker, February 25, 1980. Milan Italy, 1976
Fight Artist, 1976
Cover of The New Yorker, November 29, 1976
Original drawing for View of the World from 9th Avenue, The New Yorker cover, March 29, 1976
Original drawing for the “Fast Food” portfolio, The New Yorker, February 23, 1976
Bank Street (Three Banks), 1975
Cover of The New Yorker, October 20, 1975
Untitled, 1975
Untitled, 1974
Sixteen Postcards, 1974
Four Banks, 1974
Five Sunsets, 1974
A Poetic Ashtray, 1974. Pencil and colored pencil on paper, 18 x 11 7/8 in. Calder Foundation, New York. The drawing shows an ashtray that Calder made for Steinberg in 1951-52. Steinberg sent the drawing to Calder and his wife, Louisa, in October 1974.
“The Power Broker,” part IV, as published in The New Yorker, August 19, 1974
Original drawing for “The Power Broker,” part III, The New Yorker, August 12, 1974
Original drawing for “The Power Broker,” part II, The New Yorker, July 29, 1974
Original drawing for “The Power Broker,” part I, The New Yorker, July 22, 1974
