Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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Wall of the “Children’s Labyrinth” at the 10th Milan Triennial with a section of The Line.
Wall of the “Children’s Labyrinth” at the 10th Milan Triennial with a section of The Line.
Wall of the “Children’s Labyrinth” at the 10th Milan Triennial with a section of Types of Architecture.
Wall of the “Children’s Labyrinth” at the 10th Milan Triennial with a section of Types of Architecture.
Drawing for Cities of Italy, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Ink on paper folded into 8 sections, 18 x 110 ¾ in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Drawing for Cities of Italy, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Ink on paper folded into 8 sections, 18 x 110 ¾ in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
First part of the drawing for The Line, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink on paper folded into 29 sections, 18 x 404 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
First part of the drawing for The Line, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink on paper folded into 29 sections, 18 x 404 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Part of the drawing for Types of Architecture, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink, crayon, colored pencil, and reproduction of a Mondrian on paper folded into 21 sections, 18 x 299 ½ in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Part of the drawing for Types of Architecture, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink, crayon, colored pencil, and reproduction of a Mondrian on paper folded into 21 sections, 18 x 299 ½ in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Part of the drawing for Shores of the Mediterranean, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink, colored pencil, and rubber stamps on paper folded into 14 sections, 18 x 183 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Part of the drawing for Shores of the Mediterranean, 1954, for the “Children’s Labyrinth” at the 10th Milan Triennial. Full drawing: ink, colored pencil, and rubber stamps on paper folded into 14 sections, 18 x 183 in. Biblioteca Nazionale Braidense, Grande Brera, Milan; Gift of The Saul Steinberg Foundation.
Couple, 1954. Ink, crayon, watercolor, and collage on paper, 15 x 12 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Couple, 1954. Ink, crayon, watercolor, and collage on paper, 15 x 12 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Family, 1954. Ink, pencil, and watercolor on paper, 14 ½ x 11 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Family, 1954. Ink, pencil, and watercolor on paper, 14 ½ x 11 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University.
Drawings in The New Yorker, February 12, 1955.
Drawings in The New Yorker, February 12, 1955.
Advertisement for Emerson television, 1955.
Advertisement for Emerson television, 1955.
Advertisement for Noilly Prat, 1955.
Advertisement for Noilly Prat, 1955.
Advertisement for Simplicity Patterns, 1955.
Advertisement for Simplicity Patterns, 1955.
The South, 1955. Ink, pencil, colored pencil, and watercolor on paper, 14 ½ x 23 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
The South, 1955. Ink, pencil, colored pencil, and watercolor on paper, 14 ½ x 23 in. The Art Institute of Chicago; Gift of The Saul Steinberg Foundation
From “Steinberg at the Bat,” LIFE, July 11, 1955.
From “Steinberg at the Bat,” LIFE, July 11, 1955.
From “Steinberg at the Bat,” LIFE, July 11, 1955.
From “Steinberg at the Bat,” LIFE, July 11, 1955.
Advertisement for Simplicity Patterns, published in The New York Times Magazine, November 6, 1955
Advertisement for Simplicity Patterns, published in The New York Times Magazine, November 6, 1955
North Carolina, 1955. Ink and watercolor on paper, 14 ¾ x 23 1/8 in. Private collection.
North Carolina, 1955. Ink and watercolor on paper, 14 ¾ x 23 1/8 in. Private collection.
Untitled (Couple), 1955. Ink, colored pencil, and packing tape on paper, 17 ¾ x 13 in. Private collection.
Untitled (Couple), 1955. Ink, colored pencil, and packing tape on paper, 17 ¾ x 13 in. Private collection.
From the portfolio “Winter in Moscow,” The New Yorker, June 9, 1956.
From the portfolio “Winter in Moscow,” The New Yorker, June 9, 1956.
Drawing in The New Yorker, April 13, 1957.
Drawing in The New Yorker, April 13, 1957.
Drawings in The New Yorker, June 1, 1957.
Drawings in The New Yorker, June 1, 1957.
Advertisement for Lewin Mathes tubing and pipes, 1956-57.
Advertisement for Lewin Mathes tubing and pipes, 1956-57.
Drawing in The New Yorker, December 14, 1957.
Drawing in The New Yorker, December 14, 1957.
Georgetown Cuisine, 1957. Colored pencil, oil, gouache, and ink on newspaper photograph, 15 x 22 in. Private collection.
Georgetown Cuisine, 1957. Colored pencil, oil, gouache, and ink on newspaper photograph, 15 x 22 in. Private collection.
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