Original drawing for Who Are They, in a Word portfolio, The New Yorker, November 8, 1969

Don’t, from a Word portfolio, The New Yorker, November 8, 1969

Yes, But, from a Word portfolio, The New Yorker, November 8, 1969

Via Aerea, 1969

Untitled, 1969

Untitled, 1969

Untitled, 1969

Still Life with Ledger, 1969

Nine Postcards, 1969

Louse Point, 1969

Certified Landscape, 1969

Buenos Aires Table, 1969

Bleecker Street, 1969

Artists and War, 1969

Apr 12 1969, 1969

Album, 1969

Original drawing for “The Mayor, Part I,” The New Yorker, May 3, 1969

Original drawing for The New Yorker, December 28, 1968

Drawing in The New Yorker, December 7, 1968

Drawing in The New Yorker, December 7, 1968

Woman and Table, 1968

Untitled, 1968

Parade, 1968

Tree Bauhaus, 1968

Luna Park, 1968

LMB 566, 1968. Ink on paper, 14 ¼ x 17 ¼ in. Private collection. In Steinberg’s self-portrait at left, he wears the armband of his school (Liceul Matei Basarab) and his student number.

Jukebox, 1968

February-March, 1968

Drawing on Smithsonian Institution stationery, 1967. (3)

Drawing on Smithsonian Institution stationery, 1967. (2)

Drawing on Smithsonian Institution stationery, 1967. (4)

Drawing on Smithsonian Institution stationery I, 1967

Two drawings on Smithsonian Institution stationery, 1967. Ink on paper, 10 ½ x 8 in. Washington, DC, Smithsonian American Art Museum; Gift of the artist. (1967. Smithsonian 1974.14.31 [1] and 1967.Smithsonian 1974.14.13

Untitled, 1967

Untitled, 1967

Untitled (For Charles), 1967

Untitled, 1967

Cover of The New Yorker, July 1, 1967

The Smithsonian, 1967

Inventory #2, 1967

Cover of The New Yorker, May 6, 1967

Untitled, c. 1966. Ink, rubber stamp, and pencil on paper, 14 ½ x 19 in. Private collection.

Untitled, 1966

Original drawing for the “Rubber Stamps” portfolio, The New Yorker, December 3, 1966

Cover of The New Yorker, October 15, 1966

Untitled, 1966

The West Coast, 1966

The Spiral, 1966

The Spiral, 1966

Inventory, 1966

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