Original drawing for Who Are They, in a Word portfolio, The New Yorker, November 8, 1969
Don’t, from a Word portfolio, The New Yorker, November 8, 1969
Yes, But, from a Word portfolio, The New Yorker, November 8, 1969
Via Aerea, 1969
Untitled, 1969
Untitled, 1969
Untitled, 1969
Still Life with Ledger, 1969
Nine Postcards, 1969
Louse Point, 1969
Certified Landscape, 1969
Buenos Aires Table, 1969
Bleecker Street, 1969
Artists and War, 1969
Apr 12 1969, 1969
Album, 1969
Original drawing for “The Mayor, Part I,” The New Yorker, May 3, 1969
Original drawing for The New Yorker, December 28, 1968
Drawing in The New Yorker, December 7, 1968
Drawing in The New Yorker, December 7, 1968
Woman and Table, 1968
Untitled, 1968
Untitled, 1968
Tree Bauhaus, 1968
Luna Park, 1968
LMB 566, 1968. Ink on paper, 14 ¼ x 17 ¼ in. Private collection. In Steinberg’s self-portrait at left, he wears the armband of his school (Liceul Matei Basarab) and his student number.
Jukebox, 1968
February-March, 1968
Drawing on Smithsonian Institution stationery, 1967. (3)
Drawing on Smithsonian Institution stationery, 1967. (2)
Drawing on Smithsonian Institution stationery, 1967. (4)
Drawing on Smithsonian Institution stationery I, 1967
Two drawings on Smithsonian Institution stationery, 1967. Ink on paper, 10 ½ x 8 in. Washington, DC, Smithsonian American Art Museum; Gift of the artist. (1967. Smithsonian 1974.14.31 [1] and 1967.Smithsonian 1974.14.13
Untitled, 1967
Untitled, 1967
Untitled (For Charles), 1967
Untitled, 1967
Cover of The New Yorker, July 1, 1967
The Smithsonian, 1967
Inventory #2, 1967
Cover of The New Yorker, May 6, 1967
Untitled, c. 1966. Ink, rubber stamp, and pencil on paper, 14 ½ x 19 in. Private collection.
Untitled, 1966
Original drawing for the “Rubber Stamps” portfolio, The New Yorker, December 3, 1966
