Saul Steinberg Foundation

A way of reasoning on paper

Selected Artworks

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Architect’s Wife, 1981. Watercolor, colored pencil, and collage on paper, 22 ¼ x 30 ¼ in. Private collection
Architect’s Wife, 1981. Watercolor, colored pencil, and collage on paper, 22 ¼ x 30 ¼ in. Private collection
Nashville, Tennessee [Post Office], 1981. Pencil, crayon, and colored pencil on paper, 14 ½ x 23 in. Tennessee State Museum, Nashville; Gift of The Saul Steinberg Foundation.
Nashville, Tennessee [Post Office], 1981. Pencil, crayon, and colored pencil on paper, 14 ½ x 23 in. Tennessee State Museum, Nashville; Gift of The Saul Steinberg Foundation.
Statistics U.S.A., 1981. Ink over pencil, and colored pencil on paper, 14 ½ x 21 ½ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022).
Statistics U.S.A., 1981. Ink over pencil, and colored pencil on paper, 14 ½ x 21 ½ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022)
Summer Table, 1981. Mixed media on wood assemblage, 57 x 80 x 36 in. Private collection
Summer Table, 1981. Mixed media on wood assemblage, 57 x 80 x 36 in. Private collection
U.S. Post Office, Cincinnati, Ohio, 1981. Crayon, pencil, ink, gouache, and colored pencil on paper, 14 ½ x 23 in. Cincinnati Art Museum; Gift of The Saul Steinberg Foundation.
U.S. Post Office, Cincinnati, Ohio, 1981. Crayon, pencil, ink, gouache, and colored pencil on paper, 14 ½ x 23 in. Cincinnati Art Museum; Gift of The Saul Steinberg Foundation.
Western Projects, 1981. Watercolor, colored pencil, pencil, rubber stamps, collage, ink, and embossed foil on paper, 30 x 20 in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
Western Projects, 1981. Watercolor, colored pencil, pencil, rubber stamps, collage, ink, and embossed foil on paper, 30 x 20 in. National Gallery of Art, Prague; Gift of The Saul Steinberg Foundation.
Cover of The New Yorker, August 23, 1982.
Cover of The New Yorker, August 23, 1982.
12 Variations, portfolio in The New Yorker, December 27, 1982, left half
12 Variations, portfolio in The New Yorker, December 27, 1982, left half
12 Variations, portfolio in The New Yorker, December 27, 1982, right half
12 Variations, portfolio in The New Yorker, December 27, 1982, right half
Bauhaus Street, 1982. Crayon and pencil on paper, 15 ¼ x 24 ¼ in. Private collection
Bauhaus Street, 1982. Crayon and pencil on paper, 15 ¼ x 24 ¼ in. Private collection
Canal St. Station, 1981. Crayon, colored pencil, and pencil on paper 14 x 21 ¼ in. National Gallery of Art, Washington DC; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Post Office,” The New Yorker, March 1, 1982.
Canal St. Station, 1981. Crayon, colored pencil, and pencil on paper 14 x 21 ¼ in. National Gallery of Art, Washington DC; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Post Office,” The New Yorker, March 1, 1982.
Colton, California, 1982. Published in, The Discovery of America, 1992, p. 67
Colton, California, 1982. Published in The Discovery of America, 1992, p. 67
Untitled, 1982. Marker, colored pencil, crayon, and pencil on paper, 14 ½ x 23 in. Eskenazi Museum of Art, Indiana University, Bloomington; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Architecture: Housing,” The New Yorker, April 4, 1983.
Untitled, 1982. Marker, colored pencil, crayon, and pencil on paper, 14 ½ x 23 in. Eskenazi Museum of Art, Indiana University, Bloomington; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Architecture: Housing,” The New Yorker, April 4, 1983.
Van Gogh, c. 1982. Colored pencil, crayon, marker, and collage on paper, 13 7/8 x 11 in. Private collection.
Van Gogh, c. 1982
The Pyramid Table, 1974-82. Mixed media on wood, 13 x 47 ½ x 2 in. Private collection
The Pyramid Table, 1974-82. Mixed media on wood, 13 x 47 ½ x 2 in. Private collection
Untitled, 1983. Ink, colored pencil, and pencil on paper, 14 ¼ x 23 ¼ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink, colored pencil, and pencil on paper, 14 ¼ x 23 ¼ in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink and watercolor on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink and watercolor on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink, pencil, colored pencil, and watercolor on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink, pencil, colored pencil, and watercolor on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink, pencil, watercolor, and crayon on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Untitled, 1983. Ink, pencil, watercolor, and crayon on paper, 14 ½ x 23 in. Centre Pompidou, Musée national d’art moderne/CCI, París; Gift of The Saul Steinberg Foundation to the American Friends of the Centre Pompidou (2017), gifted to the Centre Pompidou (2022). Original drawing for the portfolio “Statistics,” The New Yorker, February 21, 1983.
Chrysler Building at 42nd Street, 1983. Pencil and colored pencil on paper, 13 x 19 ¾ in. Collection of Richard and Ronay Menschel. Variant of drawing published in the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Chrysler Building at 42nd Street, 1983. Pencil and colored pencil on paper, 13 x 19 ¾ in. Collection of Richard and Ronay Menschel. Variant of drawing published in the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983
Ex-voto, after 1983. Colored pencil and pencil on paper, 11 x 14 in. Saul Steinberg Papers, Beinecke Rare Book and Manuscript Library, Yale University. Caption: “Giacometti’s face was rough creased by deep lines horizontal vertical and diagonal. The color was often unhealthy. The hairdo was exploding steel woo. In repose he looked angry. But when he liked something a smile of infinite kindness illuminated and transformed his face. (He had also an unexpected resemblance to Colette.)”
Ex-voto, after 1983
Lexington Ave at 28th Street (Approx.), 1983. Pencil, colored pencil, and crayon on paper, 14 ½ x 23 in. The Jewish Museum, New York; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983.
Lexington Ave at 28th Street (Approx.), 1983. Pencil, colored pencil, and crayon on paper, 14 ½ x 23 in. The Jewish Museum, New York; Gift of The Saul Steinberg Foundation. Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983.
Overpass at 58th Street, 1983. Pencil and colored pencil on paper, 14 x 23 in. Collection of Diana and Alfredo Lowenstein. Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983.
Overpass at 58th Street, 1983. Pencil and colored pencil on paper, 14 x 23 in. Collection of Diana and Alfredo Lowenstein. Original drawing for the portfolio “Lexington Avenue,” The New Yorker, July 4, 1983.
Ten Women, 1983/1996, etching on paper, color proof, 20 7/8 x 29 5/8 in. Published by Gemini G.E.L. Begun 1983, editioned 1996.
Ten Women, 1983/1996, etching on paper, color proof, 20 7/8 x 29 5/8 in. Published by Gemini G.E.L. Begun 1983, editioned 1996.
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